New York Timesimpressionist Modern Art June 21 New Bond Street London

“Interior With an Etruscan Vase” is part of “Matisse in the Studio” at the Museum of Fine Arts, Boston.

Credit... 2017 Succession H. Matisse/Artists Rights Guild (ARS), New York, via Museum of Fine Arts, Boston

BOSTON "Matisse in the Studio." An exploration of this path-blazing artist'southward creativity unites 36 paintings and fifty other artworks with the textiles, pitchers, masks and other objects he displayed as inspiration. April nine through July 9. Museum of Fine Arts, 465 Huntington Avenue; 617-267-9300, mfa.org.

BOSTON "Dana Schutz." The dark sense of humour, vibrant color and eccentricity that are hallmarks of Ms. Schutz's imaginative narrative paintings, which mix abstraction and figuration, will be fully on view in this testify of her recent work. July 26 through Nov. 26. Institute of Contemporary Art, 25 Harbor Shore Drive; 617-478-3100, icaboston.org.

BRUNSWICK, ME. "The Ivory Mirror: The Art of Bloodshed in Renaissance Europe." This exhibition of some lxxx carved ivories, prints, jewelry and other items depicting death and decay sheds light on the centrality of the macabre in the culture of the 14th to 17th centuries. June 23 through Nov. 26. Bowdoin College Museum of Fine art, 9400 College Station; 207-725-3275, bowdoin.edu/art-museum.

SALEM, MASS. "Body of water Liners: Glamour, Speed and Style." Nearly 200 paintings, sculptural works, models, piece of furniture, textiles, photographs and other items will illustrate the design, engineering science, personality and opulence of these ships during their heyday, the mid-19th century through the mid-20th century. May 20 through Oct. 9. Peabody Essex Museum, 161 Essex Street; 978-745-9500, pem.org.

WILLIAMSTOWN, MASS. "Equally in Nature: Helen Frankenthaler Paintings." Big paintings from the 1950s through the 1990s illustrate Frankenthaler's inventive, poetic employ of color in abstractions inspired by nature. July two through Oct. 9. A companion show, "No Rules: Helen Frankenthaler Woodcuts," showcases experiments that stretched the medium, resulting in painterly images. July 2 through Sept. 24. Clark Art Found, 225 S Street; 413-458-2303, clarkart.edu.

WORCESTER, MASS. "Renaissance Woman in Asia: Florance Waterbury and Her Gifts of Asian Fine art." Reflecting increased art-historical interest past collectors, this exhibition reveals a woman who, in the first half of the 20th century, traveled the globe, painting and collecting, eventually becoming a scholar of Chinese art who donated many works to this museum. May 13 through Aug. 20. Worcester Art Museum, 55 Salisbury Street; 508-799-4406, worcesterart.org.

MONTCLAIR, N.J. "Matisse and American Art." From Maurice Prendergast and Stuart Davis to Andy Warhol and Faith Ringgold, generations of artists accept taken cues from Matisse to experiment with wild colors, fluid lines, potent structural components and varied subjects, as manifested in this exhibition of nineteen works by Matisse and 44 past Americans. Through June 18. Montclair Fine art Museum, iii South Mountain Artery; 973-746-5555, montclairartmuseum.org.

NEW YORK "Robert Rauschenberg: Among Friends." Spanning half dozen decades, this retrospective brings together more than 250 paintings, sculptures, drawings, prints, photographs and recordings that illustrate the ways Rauschenberg's utilise of everyday objects and his interdisciplinary arroyo bankrupt basis and influenced many other artists. May 21 through Sept. 17. Museum of Modernistic Art, 11 Due west 53rd Street; 212-708-9400, moma.org.

NEW YORK "The Jazz Age: American Style in the 1920s." The bold, colorful designs that characterized the exciting days of the Roaring Twenties are highlighted here in a show of 350 pieces of jewelry, fashion, furniture, textiles, paintings, posters and other items. (An commodity on the exhibition is on Page viii.) April 7 through Aug. 20. Cooper Hewitt, Smithsonian Design Museum, 2 East 91st Street; 212-849-8400, cooperhewitt.org.

PHILADELPHIA "American Watercolor in the Age of Homer and Sargent." With frail works that are rarely on view, this exhibition shows how an enormously creative band of American watercolorists like Winslow Homer and John Singer Sargent led to a new vision of fine art that was later adopted by Modernists like Charles Demuth and Edward Hopper. Through May 14. Philadelphia Museum of Art, 2600 Benjamin Franklin Parkway; 215-763-8100, philamuseum.org.

WASHINGTON "Frédéric Bazille and the Birth of Impressionism." In the beginning major American exhibition of Bazille'southward work in almost 25 years, he is shown every bit a central figure in the Impressionist era through the brandish of 75 works, including several past contemporaries such equally Monet and Renoir and past predecessors like Courbet. Apr nine through July nine. National Gallery of Art, Constitution Artery NW, between Third and Ninth Streets; 202-737-4215, nga.gov.

WASHINGTON "Yayoi Kusama: Infinity Mirrors." This traveling exhibition features six of Ms. Kusama's immersive "Infinity Mirror Rooms," as well as many other key paintings, collages and works on paper from the early 1950s to the nowadays, and several recent large-calibration paintings that have never been shown in the United States. Through May xiv. Hirshhorn Museum and Sculpture Garden, Independence Artery at Seventh Street SW; 202-633-1000, hirshhorn.si.edu.

DALLAS "United mexican states 1900-1950: Diego Rivera, Frida Kahlo, José Clemente Orozco and the Avant-garde." An attempt to augment the perception of Modern Mexican fine art, this exhibition of more than 200 paintings, sculptures, photographs, drawings and films celebrates the work of lesser-known pioneering artists, too as the recognizable titans. Through July 16. Dallas Museum of Art, 1717 N Harwood Street; 214-922-1200, dma.org.

FORT WORTH "The Polaroid Project." This debut of an international touring exhibition demonstrating the cultural power of Polaroid showcases about 150 photographs past more than 100 artists, including Robert Mapplethorpe, William Wegman and Barbara Kasten, along with cameras, prototypes and ephemera from Polaroid's corporate archive. June 3 through Sept. 3. Amon Carter Museum of American Art, 3501 Camp Bowie Boulevard; 817-738-1933, cartermuseum.org.

FORT WORTH "Louis Kahn: The Power of Architecture." Renowned as a master of light and space, Kahn — celebrated here in drawings, models, photographs and films — created many beautiful, of import buildings, including the Salk Institute in La Jolla, Calif., and the National Assembly Building in Dhaka, People's republic of bangladesh, as well as single-family homes. Also on view are watercolors, pastels and charcoal drawings Kahn created on his travels. March 26 through June 25. Kimbell Art Museum, 3333 Camp Bowie Boulevard; 817-332-8451, kimbellart.org.

HOUSTON "Between Land and Sea: Artists of the Coenties Skid." In the late 1950s and the '60s, Agnes Martin, Ellsworth Kelly and other artists and writers congregated in spaces near the lower tip of Manhattan. Their views of the sea and the Brooklyn Bridge inspired experimentations with abstraction, every bit seen in the 27 works on view. April fourteen through Aug. 6. The Menil Collection, 1533 Sul Ross Street; 713-525-9400, menil.org.

HOUSTON "Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950." More than than 100 paintings, photographs, installations, videos and other works, created by more than 50 artists who remained in Republic of cuba after the 1959 revolution, demonstrate the ways they dealt with their aspirations for social utopia and with their disappointment over the failure to accomplish it. Through May 29. Museum of Fine Arts, 1001 Bissonnet; 713-639-7300, mfah.org.

MIAMI "John Dunkley: Neither Day Nor Night." An exhibition of 30 of his l extant paintings, along with 10 sculptures, introduces this self-taught Jamaican creative person, built-in in 1891, to American museumgoers. I of Jamaica's virtually important historical artists, Dunkley deployed a nighttime palette to create imaginative, highly detailed, psychologically tinged works. May 26 through Jan. 14, 2018. Pérez Art Museum Miami, 1103 Biscayne Boulevard; 305-375-3000, pamm.org.

NEW ORLEANS "A Life of Seduction: Venice in the 1700s." Travelers flocked to Venice in the 18th century, enticed past its street life, festivals, gala assurance and fashions. Here, paintings — including several never seen in the United States — costumes, furnishings, glass, masks, a puppet theater and formalism regalia gloat the city that was home to Casanova, Vivaldi and Tiepolo. Through May 21. New Orleans Museum of Art, 1 Collins Diboll Circle; 504-658-4100, noma.org.

Epitome

Credit... via Dallas Museum of Art

SAN ANTONIO "Heaven and Hell: Salvation and Retribution in Pure State Buddhism." Some 75 paintings, sculptures and decorative artworks illustrate the art — including scenes of hell and numerous divine beings on earth — of a popular form of Buddhism centered on the deity Amitabha, who promised salvation to those who simply called upon him. June 16 through Sept. x. San Antonio Museum of Art, 200 West Jones Avenue; 210- 978-8100, samuseum.org.

CINCINNATI "A Shared Legacy: Folk Art in America." With more than lx works created by self-taught or minimally trained artists betwixt 1800 and 1925 — including rare canvases by Ammi Phillips and John Brewster Jr. — this brandish illustrates American ingenuity. June 10 through Sept. 3. Cincinnati Museum of Art, 953 Eden Park Drive; 513-721-2787, cincinnatiartmuseum.org.

CLEVELAND "Brand-New & Terrific: Alex Katz in the 1950s." While other artists were creating abstractions, Mr. Katz insisted on making art with recognizable images, just pared them downward to their most fundamental elements — prefiguring the development of Pop Fine art, as seen in the 70 works in this exhibition. April 30 through Aug. 8. Cleveland Museum of Art, 11150 East Boulevard; 216-421-7350, clevelandart.org.

DETROIT "Art of Rebellion: Black Art of the Civil Rights Movement." Commemorating the 50th ceremony of this urban center's riots, this exhibition presents about 25 paintings, sculptures, installations and photographs made by African-American artist collectives of the 1960s and '70s that were intent on stressing black identity and civil rights. July 23 through October. 22. Detroit Found of Arts, 5200 Woodward Avenue; 313-833-7900, dia.org.

MILWAUKEE "Frank Lloyd Wright: Buildings for the Prairie." Drawn from the famed Wasmuth Portfolio of lithographs, considered the most significant drove of Wright's early on piece of work, this show of his designs for furniture, stained glass, textiles and compages celebrates the 150th ceremony of his birth. July 28 through Oct. xv. Milwaukee Art Museum, 700 N Art Museum Drive; 414-224-3200, mam.org.

MINNEAPOLIS "Merce Cunningham: Common Fourth dimension." This exhibition chronicles the life and piece of work of the renowned choreographer who expanded the boundaries of dance with collaborators in music and visual arts. Information technology presents moving-image presentations, phase sets, costumes and some threescore works past Morris Graves, Jasper Johns, Bruce Nauman and others. Through July 30. Walker Art Centre, 725 Vineland Place; 612-375-7600, walkerart.org. A companion bear witness of the same title runs through April 30 at the Museum of Contemporary Art/Chicago, 220 Due east Chicago Avenue; 312-280-2660, mcachicago.org.

MUSKEGON, MICH. "Edward S. Curtis: The N American Indian." For 30 years, kickoff in 1906, Curtis traveled the United States, photographing portraits, landscapes and the daily lives of fourscore Native American tribes, images that were collated in a 20-book history and 723 photogravure prints. All will be on view, along with his recordings of Native American music and artifacts, and objects from his life. May 11 through Sept. 10. Muskegon Museum of Fine art, 296 West Webster Avenue; 231-720-2570, muskegonartmuseum.org.

ST. LOUIS "Degas, Impressionism and the Paris Millinery Trade." With paintings and drawings by not only Degas but as well Manet, Renoir, Cassatt and others — every bit well equally a sampling of 19th-century chapeaus — this innovative show explores the period's creative fascination with loftier-mode hats and the industry that made them. Through May 7. Saint Louis Art Museum, ane Fine Arts Drive, Forest Park; 314-721-0072, slam.org.

DENVER "The Western: An Epic in Art and Film." How the mythology of the western was forged — non just by cowboys and Indians but also by gun violence, gender roles and race relations — is examined in this exhibition featuring 160 works, from paintings by Albert Bierstadt, Frederic Remington and Ed Ruscha to films by John Ford. May 21 through Sept. ten. Denver Art Museum, 100 West 14th Avenue Parkway; 720-865-5000, denverartmuseum.org.

LOS ANGELES "Eyewitness Views: Making History in Eighteenth-Century Europe." In the 1700s, princes, popes and others of loftier rank commissioned large "view paintings" of ceremonies and of import moments — a regatta on the Grand Canal, an eruption of Mountain Vesuvius — in Paris, Venice, London and other notable spots. Some 50 such works, many never seen before in the United States, are gathered hither. May 9 through July thirty. J. Paul Getty Museum, 1200 Getty Heart Drive; 310-440-7300, getty.edu.

LOS ANGELES "The Inner Eye: Vision and Transcendence in African Arts." Celebrating artists as agents of insight and transformation, this exhibition of 100 masks, initiation objects, reliquary guardians, iconic sculptures and textiles explores the ways they enabled growth from ane life stage to another. The subjects include spirit realms, esoteric wisdom and the afterlife. Through July 9. Los Angeles County Museum of Art, 5905 Wilshire Boulevard; 323-857-6000, lacma.org.

PORTLAND, ORE. "Constructing Identity." Works by more than 80 artists, from Elizabeth Catlett and Romare Bearden to Kara Walker and Mickalene Thomas, drawn from the Petrucci Family Foundation collection, focus on the identity and narratives of African-Americans. Through June 18. Portland Art Museum, 1219 Southwest Park Artery; 503-226-2811, portlandartmuseum.org.

SAN FRANCISCO "Edvard Munch: Betwixt the Clock and the Bed." Through the lens of Munch's ain insight — that despite early success, his breakthrough came late in life — this exhibition of 45 fundamental paintings re-evaluates his career. June 24 through Sept. 24. San Francisco Museum of Modern Fine art, 151 Third Street; 415-357-4000, sfmoma.org.

SAN JOSE "The Water Cycle." With California experiencing at least 5 years of drought, 3 related exhibitions examine issues surrounding water apply. The shows are devoted to photographs by Ansel Adams, Ernest H. Brooks II and Dorothy Kerper Monnelly (through Aug. 6); to videos and installations by five young artists (through Aug. 27); and to a monumental sculpture past Diana al-Hadid (through Sept. 24). San Jose Museum of Fine art, 110 South Market Street; 408-271-6840, sjmusart.org.

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Source: https://www.nytimes.com/2017/03/15/arts/design/what-to-see-at-american-museums-in-2017.html

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